{"id":15623,"date":"2024-06-12T10:56:22","date_gmt":"2024-06-12T09:56:22","guid":{"rendered":"https:\/\/dataethics.eu\/?p=15623"},"modified":"2024-06-12T10:58:23","modified_gmt":"2024-06-12T09:58:23","slug":"the-datafication-glitch","status":"publish","type":"post","link":"https:\/\/dataethics.eu\/da\/the-datafication-glitch\/","title":{"rendered":"The Datafication Glitch"},"content":{"rendered":"\n<p><strong>Real life does not end where digital life begins. Moreover, digital life does more than mirror life away from the computer keyboard. According to curator and author Legacy Russell, digital life encodes the body with liberation and accustoms it to resist the power structures and prejudices that mass surveillance reflects.<\/strong><\/p>\n\n\n\n<p>Legacy Russell\u2019s second book, \u2018BLACK MEME: A History of the Images that Make Us\u2019, was published in May 2024. She is a writer and the Executive Director &amp; Chief Curator at The Kitchen. Russell\u2019s writings include essays, reviews, fiction, poetry, and the highly acclaimed cyberfeminist manifesto called \u2018Glitch Feminism\u2019, with which she debuted as an author in 2020.<\/p>\n\n\n\n<p>In BLACK MEME, Russell describes Blackness as \u201calways existing in transfer and transmission\u201d, and thus \u201cthe originating cultural engine\u201d.<a href=\"#_ftn1\" id=\"_ftnref1\">[1]<\/a> This serves to explain that \u201cBlackness <em>in itself <\/em>is memetic and, by extension, that the technology of memes as a core component of a dawning digital culture has been driven by, shaped by, authored by, Blackness\u201d.<a href=\"#_ftn2\" id=\"_ftnref2\">[2]<\/a><\/p>\n\n\n\n<p>To shed light on Russell\u2019s notion of digital culture \u2013 and the emancipation embedded in its code \u2013 this article revisits her first book \u2018Glitch Feminism\u2019 to encourage and guide the reading of \u2018BLACK MEME\u2019, wherein she explores Black imagery and how the perception of these images structure our thoughts and actions.<\/p>\n\n\n\n<p><strong>Glitch Feminism<\/strong><\/p>\n\n\n\n<p>Published almost four years ago, \u2018Glitch Feminism\u2019 is celebrated as one of the best art books of the year. In it, Russell discusses the gender binary. The gender binary distinguishes between the masculine and the feminine with respect to inaccurate ideas of biology and sex. At best, this distinction is reductive. At worst, it is violent.<\/p>\n\n\n\n<p>Russell writes that the \u201cconstruct of gender binary is, and has always been, precarious. Aggressively contingent, it is an immaterial invention that in its toxic virality has infected our social and cultural narratives\u201d.<a href=\"#_ftn3\" id=\"_ftnref3\">[3]<\/a> In other words, the gender binary is performed \u2026<\/p>\n\n\n\n<p>When we stop performing gender in accordance with those inaccurate ideas, the binary glitches. This glitch, Russell argues, is resistance and protests systemic violence.<\/p>\n\n\n\n<p>\u201cAll technology reflects the society that produces it, including its power structures and prejudices\u201d.<a href=\"#_ftn4\" id=\"_ftnref4\">[4]<\/a> Therefore, digital culture mirrors the norms IRL (in real life). Russell, however, replaces IRL with another abbreviation, i.e. AFK (away from keyboard), to express that real life does not end where digital life begins. Rather, digital life is just as real as life away from keyboard, including those power structures and prejudices.<\/p>\n\n\n\n<p>Digital life may not only expose power structures and prejudices. Digital life also offers multiple opportunities to escape them. This line of reasoning enables theorising that \u201cwe are empowered via the liberatory task of seizing the digital imaginary as an opportunity, a site to build on and the material to build with\u201d.<a href=\"#_ftn5\" id=\"_ftnref5\">[5]<\/a><\/p>\n\n\n\n<p>This is where the glitch comes back into the picture. Digital life offers multiple opportunities to explore gender identity and resist the binary because it is an extension of bodily presence, onto which the binary, away from keyboard, is more easily projected.<\/p>\n\n\n\n<p>Online communities are not less real, neither are they illegitimate. In fact, they are opportunities to practice glitching without compromising one\u2019s safety. Furthermore, digital life exposes the intertwinement of the capitalist economy and the gender binary:<\/p>\n\n\n\n<p>\u201cFor example, every forty-eight hours online we as a global community generate as much information as was generated in written history from the beginning of civilization until 2003.<sup>1 <\/sup>This data we generate triggers monumental questions about mass surveillance and how the information tied to our digital selves can be used to track our every movements. Our Internet search histories, social media habits, and modes of online communication\u2014what sociologist David Lyon calls \u201cfactual fragments\u201d\u2014 expose our innermost thoughts, anxieties, plans, desires, and goals.<sup>2<\/sup> Gender binary is a part of this engine: a body read online as male\/female, masculine\/feminine fulfills a target demographic for advertising and marketing\u201d.<a href=\"#_ftn6\" id=\"_ftnref6\">[6]<\/a><\/p>\n\n\n\n<p>Put differently, the glitch also puts a spoke in the wheel of capitalism, and glitch feminists \u201cembody the virus as a vehicle of resistance, we are putting a wrench into the machinic gears of gender, striking against its economy, immersing ourselves inside of brokenness, inside of the break. We want to infect, to corrupt ordinary data\u201d.<a href=\"#_ftn7\" id=\"_ftnref7\">[7]<\/a><\/p>\n\n\n\n<p>The glitch is thus a \u201csocio-cultural malware\u201d<a href=\"#_ftn8\" id=\"_ftnref8\">[8]<\/a> written online. By the keyboard, the malware remains undetected. But, away from keyboard, the glitch resists and mobilises. This is how glitch feminism turns cyberfeminist as well as anticapitalist. The glitched body \u201crenders itself useless as a subject of capital\u2019s regime of mining and profiting from data\u201d.<a href=\"#_ftn9\" id=\"_ftnref9\">[9]<\/a><\/p>\n\n\n\n<p><strong>Shutdown<\/strong><\/p>\n\n\n\n<p>Russell\u2019s manifesto is in no way a renegotiation of gender equality and data regulation. She wants more than that. She wants the glitch to push \u201cthe machine to its breaking point by refusing to function for it, refusing to uphold its fiction\u201d.<a href=\"#_ftn10\" id=\"_ftnref10\">[10]<\/a><\/p>\n\n\n\n<p>Real life may not end where digital life begins, but the machine will never end the violent gender binary. To Russell, the machine represents the political status quo. This is why \u2018Glitch Feminism\u2019 wants the glitch to go viral and corrupt the data computed by the machine to, eventually, fuck the machine up.<a href=\"#_ftn11\" id=\"_ftnref11\">[11]<\/a> Therefore, Russell\u2019s finishing words are:<\/p>\n\n\n\n<p>\u201cLet the whole goddamn thing short-circuit\u201d.<a href=\"#_ftn12\" id=\"_ftnref12\">[12]<\/a><\/p>\n\n\n\n<p>Fucking up the machine by refusing to function for it is an open-ended project. \u2018BLACK MEME\u2019 continues this project because, early on, she notes that \u201cthe work of blackness in expanding feminism\u2014and, by extension, cyberfeminism\u2014remains an essential precursor for glitch politics, creating new space and re-defining the face of a movement, amplifying the visibility of historically othered bodies\u201d.<a href=\"#_ftn13\" id=\"_ftnref13\">[13]<\/a><\/p>\n\n\n\n<p>Russell makes a compelling case. Digital culture reflects white supremacy, capitalism, and patriarchy. Yet, digital life is more than a mirror reflecting those power structures. Liberation is embedded in its code because, before stepping away from the keyboard, we can extend our bodily presence online and practice glitching. Before stepping away from keyboard, we can practice resisting racist, classist, and patriarchal prejudices. If so, we write a socio-cultural malware. This malware resists power structures and, in reality, mobilises against them until the whole goddamn thing shuts down \u2026<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><a href=\"#_ftnref1\" id=\"_ftn1\">[1]<\/a> Page 28 in \u2019BLACK MEME: A History of the Images that Make Us\u2019, Verso (2024)<\/p>\n\n\n\n<p><a href=\"#_ftnref2\" id=\"_ftn2\">[2]<\/a> Page 24 in \u2019BLACK MEME: A History of the Images that Make Us\u2019, Verso (2024)<\/p>\n\n\n\n<p><a href=\"#_ftnref3\" id=\"_ftn3\">[3]<\/a> Page 9 in \u2019Glitch Feminism: A Manifesto\u2019, Verso (2020)<\/p>\n\n\n\n<p><a href=\"#_ftnref4\" id=\"_ftn4\">[4]<\/a> Page 17 in \u2019Glitch Feminism: A Manifesto\u2019, Verso (2020)<\/p>\n\n\n\n<p><a href=\"#_ftnref5\" id=\"_ftn5\">[5]<\/a> Page 21 in \u2019Glitch Feminism: A Manifesto\u2019, Verso (2020)<\/p>\n\n\n\n<p><a href=\"#_ftnref6\" id=\"_ftn6\">[6]<\/a> Page 41 in \u2019Glitch Feminism: A Manifesto\u2019, Verso (2020)<\/p>\n\n\n\n<p><a href=\"#_ftnref7\" id=\"_ftn7\">[7]<\/a> Page 63 in \u2019Glitch Feminism: A Manifesto\u2019, Verso (2020)<\/p>\n\n\n\n<p><a href=\"#_ftnref8\" id=\"_ftn8\">[8]<\/a> Page 63 in \u2019Glitch Feminism: A Manifesto\u2019, Verso (2020)<\/p>\n\n\n\n<p><a href=\"#_ftnref9\" id=\"_ftn9\">[9]<\/a> Page 73 in \u2018Glitch Feminism: A Manifesto\u2019, Verso (2020)<\/p>\n\n\n\n<p><a href=\"#_ftnref10\" id=\"_ftn10\">[10]<\/a> Page 87 in \u2018Glitch Feminism: A Manifesto\u2019, Verso (2020)<\/p>\n\n\n\n<p><a href=\"#_ftnref11\" id=\"_ftn11\">[11]<\/a> Page 86 in \u2019Glitch Feminism: A Manifesto\u2019, Verso (2020)<\/p>\n\n\n\n<p><a href=\"#_ftnref12\" id=\"_ftn12\">[12]<\/a> Page 88 in \u2019Glitch Feminism: A Manifesto\u2019, Verso (2020)<\/p>\n\n\n\n<p><a href=\"#_ftnref13\" id=\"_ftn13\">[13]<\/a> Page 28 in \u2019Glitch Feminism: A Manifesto\u2019, Verso (2020)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>Real life does not end where digital life begins. Moreover, digital life does more than&#8230;<\/p>\n","protected":false},"author":51,"featured_media":15660,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-15623","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latest-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Datafication Glitch &#183; Dataetisk T&aelig;nkehandletank<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dataethics.eu\/da\/the-datafication-glitch\/\" \/>\n<meta property=\"og:locale\" content=\"da_DK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Datafication Glitch &#183; Dataetisk T&aelig;nkehandletank\" \/>\n<meta property=\"og:description\" content=\"Real life does not end where digital life begins. 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